This paperwork of HUM 150 Week 2 Discussion Question 3 contains:
Discuss with examples the fundamental elements of setting (including but not limited to location, time, era, weather, and buildings). Sometimes setting is essential to a story, such as in The Perfect Storm, in which the setting is so integral that it could be considered a character unto itself. Are there other instances when setting is not so essential? What other elements of film might offset the impact of when/if setting becomes secondary? How may changing the setting to a different time and place affect a film?
